Dwayna Litz Responds to Shootings by “Walking in the Light”

“Walking in the Light” is not a song that seeks attention—it seeks healing. Written by Dwayna Litz for victims of crimes against humanity, survivors of abuse, and their families, the track stands as a quiet but powerful affirmation of dignity, faith, and inner freedom.

Musically, the song is restrained and intentional. Featuring Jon Cobert on piano, the arrangement gives the lyrics room to breathe, allowing emotion to surface naturally rather than through dramatic excess. Litz’s vocal delivery is calm and resolute, carrying a sense of lived experience and conviction that feels earned rather than performed. At its core, “Walking in the Light” is about release—letting go of bitterness, reclaiming self-worth, and choosing peace over resentment. The song leans on spiritual themes of justice, forgiveness, and trust in God’s promise that wrongdoing does not go unseen. Rather than encouraging confrontation or anger, Litz frames happiness, honesty, and self-love as acts of strength. The message echoes Martin Luther King Jr.’s belief that love and forgiveness are lighter burdens than hate, and the song embodies that philosophy with grace.

What makes “Walking in the Light” especially effective is its sincerity. It does not preach or dramatize suffering; instead, it offers reassurance. The lyrics suggest that while we cannot control how others act, we can choose how we live—stepping away from darkness and refusing to let pain define us. As a songwriter known for blending pop, country, rock, jazz, and gospel influences, Dwayna Litz brings all of those elements together here in service of meaning rather than style. The result is a song that feels personal yet universal, grounded in faith but accessible to anyone seeking hope and renewal. “Walking in the Light” succeeds because it prioritizes truth and compassion over spectacle. It’s a song meant to accompany listeners through recovery, not rush them through it. Quiet, steady, and affirming, it stands as one of Litz’s most purpose-driven works—and a reminder that light, once chosen, cannot be taken away.

-Falcodice Music Blog 

Posted in Dwayna Litz, Music, pop, Walking in the Light Project | Tagged , , , | Leave a comment

Dwayna Litz Music in 2025

Dwayna Litz Music Recap of 2025

I ended 2025 working with these great musicians, and an incredible soloist who has been classically trained from Juilliard, now living in Nashville, Robert May. We sang a duet of “Oh Holy Night,” and it was beautiful.

I recorded four Christmas songs for 2026, including one I wrote called “Smoky Mountain Christmas.” I worked with musicians: Tim Crouch, Charlie McCoy, Ryan Jones and Mark Niemiec engineering. (And, no one is more important than the right engineer I found last year in Mark Niemiec)!

Nathan Meckel and Sean Kelly came to videotape it and interview me for a mini-documentary to be out this new year about being true to ourselves as artists in music with their company, Stereophonic Films. We recorded and filmed at Ronnie’s Place on Music Row.

Last year I have also had the joy of finding my own sound, thanks to great musicians like Steve Brewster (drums), Andrew Carney (trumpet, flugelhorn), Tim Crouch (fiddle, mandolin, guitar), James Mitchell (electric guitar), Duncan Mullins (electric bass) and pianists Jeff Taylor and Ryan Jones (a new pianist I love working with whose arrangements are more Jazz than pop or country, which is perfect for me). I have also found this sound, thanks to great vocalists adding parts like Nathan and Suzanne Young and Michael Mishaw and Connye Florance. As always, Billy Decker, does the final mixing.

I am now working with Tinderbox on radio promotion, and I was featured in Spin Magazine last summer as an “artist to watch,” based on a song I wrote called “Stayin’ Gone” that got played on many rock stations, as it was country/rock, opening the door for journalists, online magazines, blogs and Spotify radio stations from all over the world to play my music. This is how the radio promotion team found out about my music, so we are now building my platform on YouTube and building a “hot sheet” of FM stations to eventually work up to the next level of radio, which is Sirius XM.

What an honor to also now be working with Morris Northcutt on trumpet and flugelhorn, as well as Emmanuel Echem; I have had the pleasure of working with Randal Clark also on saxophone last year, as horns are now added to almost everything I write and record for elements of country, pop, Jazz, rock, bluegrass and gospel, all in one.

To say I am thankful, as 2025 closes, is an understatement. I am working on finishing four new albums’ worth of songs I have written, and for every song and for everyone who has worked with me and inspired me this year to be all I can be, I am thankful.

Dwayna

Posted in Dwayna Litz, Jazz, Music, pop | Tagged , , , , , , , , , , , , , | Leave a comment

New Music from Dwayna Litz Soon to Come

Last October we got together to do piano, harmonic and horn vocals of some of my favorite hymns like “My Jesus I Love Thee” and “Turn Your Eyes Upon Jesus,” adding also “Moon River.” There are four albums in all I am working on finishing, and they each tell a story. We ended up adding a saxophone on “Moon River” and “Turn Your Eyes Upon Jesus” and a trumpet on “My Jesus I Love Thee.” We still have to add background vocals to “My Jesus I Love Thee,” and these will be finished. It was also video taped for an upcoming mini-documentary on music. Since I was raised on the hymns, I wanted to get back together with Charlie McCoy on harmonica for this special project. Ryan Jones, the pianist, did not disappoint. It was our first time working together, and I would not trade him for any other pianist. It was all excellent, and then we spent the next day working on vocals from previous sessions, finishing more songs to prepare them for mixing. The new releases will all have elements of Jazz, pop, country and Gospel, some even rock and bluegrass. This has felt like the most creative year of my life, and I am thankful.–Dwayna

Posted in Dwayna Litz, Music | Tagged , | Leave a comment